Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Williams, Peter | What is it to Write a Biography of J. S. Bach? |
Bach |
45 | 1 | 2014 |
1-14 |
|
| 2. | Leaver, Robin A. | Letter Codes Relating to Pitch and Key for Chorale Melodies and Bach's Contributions to the Schemelli Gesangbuch. |
Bach |
45 | 1 | 2014 |
15-33 |
|
| 3. | Jerold, Beverly | Johann Philipp Kirnberger and the Bach Chorale Settings. |
Bach |
45 | 1 | 2014 |
34-43 |
|
| 4. | Greer, Mary | 'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion. |
Bach |
45 | 1 | 2014 |
44-89 |
|
| 5. | Szabó, Zoltán | Precarious Presumptions and the 'Minoritz Report': Revisiting the primary sources of the Bach Cello Suites. |
Bach |
45 | 2 | 2014 |
1-33 |
|
| 6. | Carrier-McClimon, Carolyn | Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248. |
Bach |
45 | 2 | 2014 |
34-67 |
|
| 7. | Rifé i Santaló, Jordi | The Kyries of J. S. Bach's B-minor Mass and Gottlob Harrer's D-major Mass (Harwv 32): Between Late Baroque and the Style Galant. |
Bach |
45 | 2 | 2014 |
68-93 |
|